Enrichment · Arts & Creativity
Putting music to picture takes permission for two things: the song itself, from its publishers, and the particular recording, from whoever owns it. Pick the kind of recording, list who you asked and what they quoted, and the checklist shows which licenses are still missing before the video goes out.
The worked example is made up, songs and companies included: a commercial recording in a festival short with the sync quoted and the master not yet, and a cover for an online band video. Saved on this device only.
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Enrichment · Arts & CreativityFree
Performing rights organizations’ public repertory searches (ASCAP, BMI, SESAC, GMR) list each song’s writers and publishers. The master owner is usually the label shown on the release; for older recordings it may have changed hands.
Showing a video in a classroom is treated differently from putting it online. Once a student film goes to a festival or a public video site, it needs the same licenses as anyone else’s.
The worked examples are made up; the songs, writers and companies are invented. This checklist describes U.S. practice in general terms and is not legal advice. Nothing you type is sent to Caveat. Support: team@caveatacademic.com.