Enrichment · Arts and Creativity

Every excerpt
up to tempo, on time.

Audition panels hear the passage you avoided. List every requirement from the packet with the tempo you can play it cleanly today and the tempo it needs, log your practice, and watch the gap close. The organizer flags anything under 85 percent of tempo as the date gets close and keeps the day-of steps in one place.

Add an auditionWhat you get
$5one-time · every device you sign in on
Buy · $5

Included with the Caveat Academy pass and Whole-school licenses. Or get it in the Arts & Creativity collection, $69 for 23 items.

Your auditions

The worked example is made up: a clarinetist preparing a regional honor band audition in 24 days, with a technical excerpt at 73 percent of tempo and the scales not yet memorized. Saved on this device only.

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What you get

Enrichment · Arts & Creativity$5

What you finish with
A record per audition with the program, instrument or voice part, format, date and start of preparation; each requirement with tempo now, target tempo and whether it is memorized; a practice log; eight steps for the day. Computes tempo as a share of target and days left; flags requirements under 85 percent, unmemorized ones and steps not done; totals practice minutes.
Who it is for
Middle school, high school and college musicians preparing for honor ensembles, all-state, youth orchestras, college music programs and competitions.
Format
Browser organizer with a saved record per audition. Prints the plan, every audition as a table or a blank practice sheet; downloads a spreadsheet (.csv); exports and imports a file.
Access
$5 one-time, yours on every device you sign in on; the tool opens once you are signed in with it. Included with the Caveat Academy pass and Whole-school licenses. Also in the Arts & Creativity collection ($69) and the Enrichment Suite pass ($119), and 1 more bundle. Everything you type stays in this browser; nothing is sent to Caveat.
Where it lives
The Arts & Creativity space in Caveat Enrichment.
Support
Questions about access, an order or a correction: team@caveatacademic.com.

How to use it

  1. Copy every requirement from the audition packet.
  2. Find the tempo you can play each one cleanly today, and the target.
  3. Practice the hardest bars slowly; log each session and what you worked on.
  4. Raise tempos a few beats at a time and update them.
  5. Two weeks out, play the full audition for someone, twice.

Add an audition

Tempo

Climbing to tempotarget 13296practice sessions →Up a few beats only when the passage is clean three times in a row. The dots markdays spent at the same tempo: normal, not a setback.Climbing to tempotarget 13296practice sessions →Up a few beats only when the passage isclean three times in a row. The dotsmark days spent at the same tempo:normal, not a setback.
A sketch of a common practice method, not data. Go up only when the passage is clean; plateaus are normal.

Practice that works

Studies of expert musicians found that what separated them was not hours alone but deliberate practice: focused work on specific weaknesses, with feedback, often at a slower tempo. Slow, accurate repetition of the hard bars and recording yourself to listen back are two practical forms of it.

Nerves

Most performers feel nervous before an audition; a faster heartbeat and shaky hands are normal. Rehearsing the whole audition in front of people, a steady warm-up routine and slow breathing before you walk in help many players. If nerves stop you from performing at all, talk with your teacher or school counselor.

Sources

  1. Ericsson, K. A., Krampe, R. T., and Tesch-Römer, C. (1993). The role of deliberate practice in the acquisition of expert performance. Psychological Review, 100(3).
  2. National Association for Music Education. Resources for student musicians and all-state preparation (nafme.org).
  3. Kenny, D. T. (2011). The Psychology of Music Performance Anxiety. Oxford University Press.
  4. Duke, R. A., Simmons, A. L., and Cash, C. D. (2009). It’s not how much; it’s how. Journal of Research in Music Education, 56(4).

The worked example is made up. Follow your audition packet’s exact requirements. Nothing you type is sent to Caveat. Support: team@caveatacademic.com.